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Reviews From The Trenches January 2008 A ton of genre related DVDs
have finally come out. Too many to deal with at once, but I’m gonna give
you what I think are the best and warn you about a few of the
worst. Food of the Gods 1976
Marjoe investigates and finds that a chicken farmer and his
wife fed this shit to their chickens( Marjoe battles what appears to be a
fake big rooster head on a pole). Rats also got into the stuff and are now
attacking in mass hordes. Funny shit as real rear projected rats are shown
crawling all over miniature sets. A big white rat seems to be the leader.
Rats are shot with obvious blood squibs and a dam is blown up to drown the
big rats. Cheap thrills 70's style from the man who invented the rear
projected big monster genre. An MGM Midnite
Movie.
This one a little tame as Fulci seems a bit restrained on the
gore and carnage. A tomb in ?>ml:namespace
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Beast was about an alien presence that controls lower life
forms and terrorizes a family at a desert ranch. This one of those “ you
only see the monster in the last few minutes film”. Dated and slow moving,
but one of the first AIP monster movies. The creature( a hand puppet) was
created by Paul Blaisdell, who created most of the impressive AIP
monsters.
The Vampire with John Beal, is the nastier of the two films.
Beal is a small town doctor who accidently takes some pills that turn him
into a blood sucking killer. Anyone he bites not only dies , but their
body decomposes more rapidly than normal. A chilling scene is when one of
the victims is exhumed and the body has completely decomposed. A great
supporting cast with Kenneth Toby, Paul Brinegar, Coleen Gray and Dabs
Greer. Both films were directed by Paul Landres. Check out the sign at the
doctor’s office, it’s in both films. A cool little time capsule of 50's
horror films.
I had to go to about four places before I found a copy of this.
Tons of Deathproof, but this one was sold out quickly which speaks
volumes.
Rumors swirled around for years as to how much was cut out of
this film. Sort of a follow up to Reanimator( which had hardly any
theatrical release) Combs plays his usually demented over the top
performance as Crawford Tillingast. The plot is that Crawford’s mentor, Dr
Pretorious, created the “Resonator” a machine that stimulates the
pituitary gland and arouses deviant behavior . The good doctor’s head is
twisted off by one of the creatures that come through the resonator.
Crawford is institutionalized as he is accused of the doctor’s murder.
A psychiatrist( Crampton) takes Crawford back to the scene of
the crime and the real fun begins. The film has never looked better and
two key gore scenes are restored. If you by one disc this month, I highly
recommend this film.
The gator leaves the sewer and reeks havoc on the city. Plenty
of blood and gore. A
Anyway Cliver wants his daughter back , so he mounts an
expedition of thrill seeking assholes. His daughter is now grow and has to
mate with the Chief’s son. In one of the most boring sex scenes ever
committed to film, she just lies there , motionless, while the guy pounds
away, proving she is definitely a white woman.
The group again drives to cannibal land. The Chief has died but
as he is dying, the camera seems fixated on his nose hairs. The new Chief
wants to wipe out the intruding white invaders. Trust me, these people
aren’t worth the effort it would take to eat them and poop them out. After
a few lame attacks and even lamer chow downs, Cliver is reunited with his
daughter. This is one of those so bad it’s funny films. The “cannibals”
are Europeans in shitty face paint with disco era haircuts. In some scenes
you can spot boxer shorts under loin cloths. The gore effects are
laughable and it looks like medical footage was inserted at times. Only in
the 80's . Previously available from Transworld Video under a different
title. Extras include a Franco
interview. Two more shitty “zombie” movie to
avoid
Sid Haig is featured on the box, but is in the film for about
15 minutes. It seem he started this zombie plague because he inherited a
funeral pallor from his dad, but he wasn’t into cremating people. He just
warehoused the bodies with some toxic medical waste. Clever, huh? There is
some minor gore and nudity. The “Coopers” now own the farm house and are
pot farmers, so they can’t call the cops. I fell asleep three times trying
to watch this. You get four pair of “3D” glasses with this. Whoopee!! A
complete insult to the
original.
A MUST SEE -30 Days Of
Night
This film will creep you out from start to finish. A ship of
vampires docks outside if a town in Primevil 2007
I don’t know
why I mark out for giant reptile films, but after watching them , I always
walk away like I’ve been ass raped. Since Alligator, no ones ever come up
with a good one and this is no
exception. Advertised as
the “most prolific serial killer of all times, over 300 victims”. Yes it
was a croc and the ad campaign was a croc of shit. “ Gustave” as the
natives affectionately call him , is a 30 foot crocodile with a taste for
‘long pig” . That’s what the Now the news
media wants a story, so they send a crew. Now the story deteriorates into
a political statement about the plight of Africans. The local warlord has
named himself “ Little Gustave” and kills his rivals off with the same
vigor as Big Gus. One of the camera men films Little Gus wiping out a
family if his detractors. Someone has ratted out the crew to Little Gus,
who reacts in a violent way. One of his
thugs tries to get the film and is about to rape the lady who has it. Big
Gus makes a fast CG appearance , destroying the camp and eating the bad
guy. Here’s my beef. A real croc can out run a race horse on dry land,
that’s a fact. This croc moves like Wiley Coyote on crystal meth. They
don’t leap , jump, or sing and dance. At the climatic finish , after much
violence directed at helpless Africans, Big Gus has Little Gus for
dinner. This whole film
went the route of Blood Diamonds and Lord of War, showcasing the plight of
the “poor” Africans. Gustave got his taste for human flesh by eating all
the bodies of mass killing that were dumped into the river. Face facts:
these people have been butchering each other for years. One black camera
man comes up with the most politically incorrect statement of the movie.
Lost in the jungle , he mutters” maybe slavery was good, it beats the hell
out of living here.” So here we had a “horror “ film masquerading as a
political statement. At the end ,we are told that Gustave is still at
large. Can you spell direct to DVD
sequel?
by the director and writer of Saw.
Should have fuckin’ known
this would suck. Actually were any of the saw films other than the first
one any good? In retrospect not really. 2 & 3 were just showcases for
SPFX and both main characters were killed off in 3 , but a # 4 is in the
works. Silence has one murder to start , then drags out to a painfully protracted finish. It was like having sex with an ugly woman, you just wanted to get it over with. The plot is something about a woman and her dummy who met a bad end. If the woman appears and you scream, your mouth is ripped open to look like Paris Hilton’s after a night of partying. Disc makes a nice coaster. Here’s some real grindhouse stuff that is actually worth watching.
Northville Cemetery Massacre 1976
Written Produced and Directed by Thomas
Dyke & William Dear. Starring the Scorpions Motorcycle Club of
Remember back before the internet, when you
had to rely on word of mouth to find a cool , obscure film? Probably not,
but in the early days of VHS there were a lot of small, obscure companies
that put out a lot of genre stuff. How did you find them? Easier said than
done. You had to scour the mom & pop video stores, like a prospector
panning for gold. Paragon Video was a company that had a lot
of obscure, gory horror films. Some of these films you may have never heard of. Nightbeast,
Boardinghouse, Dr. Butcher M.D., the Tombs of the Blind Dead, and The
Northville Cemetery Massacre were all in Paragon’s
catalog. Because ‘cemetery” and “massacre “ were in
the title, a lot of us assumed it was a horror film. Wow, were we wrong.
The Northville Cemetery Massacre is a kick ass biker film that has become
an international motorcycle cult film. In this film the bikers are cast
against type as good guys and the law are a bunch of dicks. Like I’m
telling you something that you don’t already
know.
A hitchhiker is on the road when he sees a pack of bikers in the
distance. He whips out a sign that say “grass” . One of the pack stops and
picks him up. Prior to this ,the gang helped change a tire for an old
couple. The hitchhiker is connected to someone in the club. Chris, the
hitchhiker, goes on a run with the club, then sneaks off to an old barn
with his girlfriend. Cops arrive to break up the run. Two cops
corner Chris and the girl, Lynn in the barn. Chris is knocked out and one
of the cops rapes The cop swears the father to
secrecy and the two hatch a plan to get revenge on the bikers. They enlist
a hunter, Armstrong. with a high powered rifle. The cop recruits him with
the same story of the savage rape. Back at the club house, two of the boys
go out back to water the lilies. They are cut down with a high powered
rifle. Thinking a rival club is responsible, the leader calls for a sit
down.
The two clubs meet at an abandon drive in. As the two club leaders
talk, the shooter strikes again This time members of both clubs are picked
off by the shooter. They decide action must be taken, but the cop has
planted a seed among the other cops and the bikers are constantly hassled
and searched at every opportunity. The rouge cop sadistically guns down a
biker who has broke down in a ditch. The shootings are in the slo mo
Peckinpaw style, lots of bloody squib bursts. The boys are still not sure who is
behind the killings. But they decide to even things a bit. They take a
cruise out to an arms dealer. Some great shots of some cool, tricked out
bikes on the road. The dealer lives in an underground bunker that could
withstand “ a 17,000 megaton blast at ground zero”. They boy pick out a
various assortment of shotguns, rifles, pistols, etc. The dealer
thoughtfully throws in some hand grenades . He tells them if they had
called in advance, he coulda scored them some claymores and a bazooka.
Anybody have this guys #?
Chris gets into the hospital and
This is one of the few films of the time in which the bikers were
the “good guys”. Since the Wild One, most biker films have portrayed the
biker in a negative light. Remember that the Hells Angels wanted to sue
Roger Corman over the Wild Angels for defamation of character? They were
serious. This film portrays them as the pretty much were back then, free
spirits out enjoying life. This is one of those films
that all but disappeared when Paragon folded up. It was never reissued on
one of those “budget” tapes like Star Classics or Video Treasures. I never
thought that I would see this film again. The original box had a fat
,redneck cop holding a shotgun and I think the tagline was “ the day law
and order went berserk” . One of the best and most violent of the biker
film genre. A little footnote , Northville
Cemetery Massacre has striking similarities to 1971's The Hunting Party.
In that film , a band of outlaws are stalked and killed by the “good guys”
with high powered rifles. The Hunting Party, for some reason, disappeared
after being released. It was never out on VHS and just recently came out
on DVD. Some said the reason was that stars Gene Hackman and Candice
Bergen blocked it’s release . Hackman played the same character, a
sadistic killer, in The Quick and the Dead and Unforgiven.
Chainsaw Sally 2007
a Redfield Arts/ Planet X Production
Written and Directed by Jimmy O Starring April Monique Burril Mark
Redfield, Alec Joseph, Gunnar Hansen as Daddy and H.G> Lewis as Mr.
Gordon DVD by Shock O Rama I had met director Jimmy O at the Genghis
Con Convention in A lot of people make a bold claim
that certain films capture that grindhouse ambiance. This one actually
does capture it. With it’s roots planted in the grindhouse subculture,
Sally kicks ass big time. By day Sally is a meek librarian. When pissed
off, she becomes a chainsaw slinging avenger.
.
We first see Sally’s demented side when she cleaves a blonde from
throat to crotch for having a book out that’s way overdue. Sally and her
brother, Ruby , were traumatized as children when some escaped mental
patients broke into their home. They killed Daddy ( Gunnar Hansen) and
raped and killed Mom. Daddy lived long enough to dice up the threesome
with a chainsaw.
The two kids moved out of that farmhouse and into a ramshackle
house in the woods. The property that the farmhouse is on is owned by a
crusty looking drifter, Steve Kellerman. Steve has been offered big bucks
for the place by a crooked realtor and an equally crooked mayor. A hot
blonde, Cynthia, is the bait the realtor uses to get Steve to sell. What
Steve doesn’t know is that Sally and her brother, who is usually in drag,
will kill to protect that farmhouse.
Sally will kill pretty much anyone who pisses her off. After a guy
disses a girl in a bar, Sally seduces him and cuts off his wazoo with a
straight razor. This scene is really twisted on many levels. If you think
this is off the hook, wait until you see what she does to the ‘ice cream
girl”. Steve comes to the library for information. Sally is a little
smitten with him. Steve takes her for ice cream and they get into a heated
discussion about whether Batman and Robin are gay. Sally returns home to a
pissed off bother who is hacking his knife into the wall. Sally tells him
to stop and he sticks his tongue out at her. Sally tells him that “ she
will pull out his tongue and feed it to the dog”. Ruby retorts “ we don’t
have a dog, we ate it”.
Sally and Ruby have the mayor tied up and wearing a luchador mask.
They tell him that it’s time for The Tool Box Murders, the home game. Then
they proceed to slice and dice. Sally finds out that Steve owns the land.
She also finds out that he has been slipping the tubesteak to Cynthia.
Sally decides to wrap this thing up. She lures Cynthia to the old
farmhouse , then she give her the saw treatment. The realtor and Steve are
also tricked into coming to the house. The realtor is nailed to the floor
and, in a really twisted turn of events, Steve is framed for all the
murders.
Chainsaw Sally is a fresh , new horror character. April Monique
Burril is outstanding as Sally. She has this really demented look in her
eyes and is deadly serious and sadistic when dispatching her victims.
There are some really twisted death scenes and gore fans will find Sally
not lacking in the sauce department. H.G Lewis has a cameo as Mr Gordon,
the helpful hardware store owner, who supplies the implements of mass
dismemberment. This is a fun film, it is well shot, the characters are
interesting and it actually gives me hope for the future of horror. A true
grindhouse film, made by a grindhouse film fan. Hopefully there will be a
Sally 2. SHOCK-O-RAMA Finally coming to a video store near you, the latest release from Shock-O-Rama Cinema, Shock-O-Rama. The 3rd film in what one might call the Brett Piper Trilogy, this film is Brett’s most ambitious to date. Shock-O-Rama is a Tales from the Cryptesque film that centers around Rebecca Raven,(Misty Mundae), a horror actress who had just been released from the company which made her famous. The executives that fired her , had a successor ready to move in , but that girl wound up in a bit of trouble , so the two executives now have to scramble to find a star for their next opus. The two are played by Michael Thomas and Dave Fine, who’s back and forth banter and insults are hysterical. When the two are pouring through screeners to find their next star, Thomas remarks how he hates movies and Fine replies, “It shows”. The first film, Mechaniod, is about two intergalactic alien criminals who crash land in Jed Callahan’s junk yard. Callahan , played by Rob Monkiewizc, is being hounded by creditors and his girlfriend Linda( Caitlin Ross). Linda decides to show up as Jed is having a shoot out, pitting his pistol against the alien’s ray guns. The aliens build a robot out of the junked wrecks and it emerges from the junkyard in a real cool show of stop motion effects. Things look grin indeed until the Intergalactic Police arrive and take charge of the situation. Meanwhile Rebecca has decide to spend some time in a country house. After a little trickle of blood awakens the resident zombie and he is not happy about his unwanted house guest. Rebecca must pit all her horror film wits against the undead creature . It’s reality meets unreality as Rebecca searches through cliche after cliche to destroy her blood thirsty stalker. In None But the Brain ,Dr Carruthers(Julian Wells) is conducting dream experiments on a bunch of scantily clad subjects . When one of the girls dies during a sexually charged, gory dream sequence, Naomi( A.J. Khan) starts to think there is more to the Doctor than meets the eye. She finds a horrible secret. The Doctor is a virtual slave to a huge, living brain who is in search of pleasure. The Doctor feels just what the brain does and goes berserk when Naomi tries to kill it . Rebecca shows up at her old producer’s office for a little confrontation with the guys who fired her. I’m gonna leave it right here. If you want to find out how it plays out, see it yourself. I saw this film at the Fango Weekend of Horrors last September and at the Pioneer Theater in NY , where it had it’s world premier. Both places were packed and the film got a great reaction . Brett Piper is one of those film makers who doesn’t use CG effects. He does it the old fashioned way with stop motion, miniatures, and make up effects. And it all looks great on the big screen as opposed to some recent crap that I had to force myself to sit through. I’ll say this, then perhaps you should read my editorial. The best way to see Shock-O-Rama is in a theater with a group of true horror fans. People jumped in the right places, they chuckled in the right places, and they squirmed in the right places. Twenty years ago Shock-O- Rama would have played to SRO crowds in theaters like the Liberty, The Lyric, or the Rialto, right on the “Deuce”. Kudos to Piper and Shock-O-Rama Cinema for creating a classic with its root firmly planted in the grindhouse culture. Every once in a while I see something that makes me stand up and take notice. First it was Acid Bath, which I covered a little while ago, check out the archives, which was outstanding.
PERVERT! I just got a film from an outfit called Stag Films called Pervert! Feeling that this could be an autobiographical rip off of yours truly, hey I am what I am, I was really shocked when I saw this film. Shocked in a good way that is. A lot of film maker claim to capture the essence of a film maker who is no longer with us. This filmed claimed to be a homage to the late, great Russ Meyer. It is. Some where Russ is looking down and smiling, because this film succeeds on so many levels. Pervert! The Movie Directed by Jonathan Yudis and written by Mike Davis is a true homage to the man who brought big tits to the big screen. This film is a lot different than most because it was actually shot on film and it was shot at the same ranch where the immortal classic, Faster Pussycat, Kill, Kill! Was filmed. The film is loaded with quirky characters ala Russ. A weird old man who makes sculptures out of raw meat, a rough trade gay mechanic, an unseen killer, and a parade of heavy hootered honeys. It also has pop up scenes of topless women dancing on the desert sands, and has a bunch of scenes that will have you laughing you ass off. Pervert opens with young James( Sean Andrews) driving down a desert highway. He picks up a hitchhiker (Tula), who opens his glove box and an avalanche of stroke books falls out followed by a pair of rubber lips. Tula calls him a pervert and bails out of the car. James throws his stash out and a mangy dog makes off with the jizz encrusted lips. James is out to reconcile with his father, Hezekiah, who lives on a desert ranch. James is out here to learn the manly art of being a man. Whatever the fuck that means. Dad (Darrell Sandeen) has a real hot wife, the formidable Mary Carey, who is smokin’ hot here. Channeling Candy Samples and Ushi Digart, the former porn star and candidate for the governor of California, just set the screen on fire with her antics involving pouring honey and jam over her massive mamaries. She has the hots for James, but then after a heated argument with Hezekiah in the middle of the night, she disappears. James suspects the worst , especially when the grieving Hezekiah show up with a “new whore” who is a real ball breaker. James checks out the meat sculpture studio. He finds nothing until Mary staggers in and drops dead. James goes back to the house and find the other woman dead after she has had sex with this unseen killer. Suspecting that his Dad is the killer, James and another girl handcuff Dad to a headboard to keep him out of trouble until they can sort things out. Things go to black and white when you get the killer’s POV. Hezekiah has a visitor while he’s tried up and here’s where the film goes completely over the top. It seems that James went to a witch doctor to have a ritual performed to increase his sexual potency. There, as in every black magic ritual, was a trade off for this “blessing” which has manifested itself in the form of this unseen killer. I’ll stop here because this is the payoff that will have you rolling on the floor in stitches. This is one film you have to see. This is also one of the reasons that I want to resurrect a grindhouse. Films like this deserve to be seen on the big screen. Stag Films next venture, I’m told, will be a biker flick. I’m curious to see how this will pan out. Russ Meyer fans will love Pervert! And I think Russ himself would appreciate this homage to his legacy.
More DVD Goodness Stuff comes out on DVD so fast lately that it’s hard sometime to keep up things. Anyhow, I’ve caught a lot of stuff in the last couple of weeks and here’s my humble opinion of a few things. Day the World Ended/ The She Creature the Sam Arkoff Collection Released by Lion’s Gate The AIP stuff has been available all over the world except here. Now it looks like Lion’s Gate is now releasing the stuff as double features. I picked up the Arkoff Box Set in PAL format and these discs had a lot more going for them than this double feature does. At least it included trailers. For some reason The Day the World Ended is in the letterbox format which doesn’t really look that good. The She Creature is full screen. The Day the World Ended scared the piss out of me when I first saw it years ago on Channel 7's Big Show at 4;30 in the afternoon. It was the 60's and the threat of nuclear annihilation was present on a daily basis. Remember the Cuban Missel Crisis? Anyway this is TD-Day , total destruction by nuclear weapons. Seven survivors are in a remote valley and are stalked by flesh eating mutants. The cast is a who’s who of actors who became AIP regulars. Richard Denning, Paul Dubov, Raymond Hattan, Paul Birch, Lori Nelson, Jonathan Haze, and Mike Connors. The real “star” of both of these films is Paul Blaisdell who created and played both the Mutant and the She Creature. Blaisdell created some of the most memorable movie monsters of the 50's. It Conquered the World, Voodoo Woman, Invasion of the Saucer Men all featured his unique creations. Blaisdell also had some of the worst luck of any artist that I have ever read about. His paydays were lousy. He was badly burned on the set of Voodoo Woman. His magazine, Fantastic Monsters and all of its assets were destroyed in a mysterious fire. And his dedication to his craft may have cause his premature demise. Working with all these chemicals may have caused him to get cancer and he died just before his work was discovered by a new legion of fans. Someone should do a movie on him. Watch these films and see how amazing these creations of his were. They were done with very little money , but with a lot of heart and soul . They were scary back then, they are still unique today.
Razor Blade Smile Razor Blade Smile Anchor Bay 2005 Starring Eileen Daly, Directed by Jake West I had heard some good things about this film and they were all true. I just put my feet up and enjoyed this tale of a vampire hit woman. Lilith Silver should have died in the 1800's but was given eternal life as a vampire. Lilith makes a point of dispelling some vampire myths during the course of the movie. She is a hit woman who’s target is the “Illuminat” a sect that has power through supernatural and technological innovations. This is a game of cat and mouse , with a lot of twists and turns that will keep you guessing until the very end. There’s a cool lesbian vampire scene that gets pretty bloody. This is one worth checking out.
Medium Cool Medium Cool Paramount 1969 starring Robert Forester, Verna Bloom, Peter Bonerz, and Marianna Hill. Directed by Haskell Wexler I was still going to Kiddee Matinees when I was 16 because they were still showing a lot of horror flicks. By then I had discovered alcohol and ways to get it, so relaxing in the back row with a bottle of Ripple on a Saturday afternoon was a given. The Embassy Theater went right into its regular programing after the matinee. I was such a regular at that point , so I was never chased out. This is how I saw Medium Cool. If you want to know how fucked up things were back then, check this movie out. Shot by former cinematographer Wexler against the backdrop of the Democratic National Convention in Chicago, it paints a powerful picture of race relations, police brutality, and a media that was in cahoots with the law. Aside from the statement that this picture is trying to make, its filled with some quirky things. Look for brief appearances by Peter Boyle and Angelo Rossito. The music is by The Mothers of Invention and Love. The assistant to the producer was Jonathan Haze. An interesting time capsule of for those of us who experienced these things first hand.
A Man Called Sledge A Man Called Sledge 1969 Starring James Garner, Dennis Weaver, Claude Atkins, and John Marley Co written and directed by Vic Morrow This is one of those cases where I wonder what a person could have accomplished had he not checked out so soon. Vic Morrow was killed while trying to save two children on the set of the Twilight Zone Movie. Though I had heard of this movie ,I just figured that it was another spaghetti western using some anglo names to make it more marketable. Then I caught it on the Encore Western channel. It is a true spaghetti western. Usually James Garner brings a little bit of humor to his roles. Not here. He’s deadly serious as Luther Sledge, a man out to rob a cache of gold hidden in a prison fortress. Morrow’s western is full of symbolism and striking visuals. You would swear that this was directed by Corbucci or one of the other greats. The cast is excellent , especially Marley as the old man who’s cell was next to the vault of gold. He claims that he can remember the combination to the vault by the clicks because he was incarcerated there for so long. Marley’s greed gets under Sledge’s skin big time. When he kills a man during a poker game with the stolen gold, Sledge tells him to keep dealing because he’s now in the game and is going to break him. Sledge winds up winning all the gold and the gang is none too thrilled about this. Marley instigates the kidnaping of Sledge’s woman . The woman for the gold. Of course things go terribly wrong and Sledge finds out that certain things mean a lot more than gold. This is one powerful movie and it’s also an anomaly, a Euro Western directed by an American. The only other film that fits into this category is Monte Hellman’s China 9, Liberty 37. Morrow showed great promise as a director and that makes his untimely death all the more tragic.
Midnight Blue DVD The Midnight Blue Collection from Blue Underground In
1968 Al Goldstein created Screw , a sort of guide to commercial sex
establishments in NYC. Screw told it like it was. If an establishment
didn’t meet Screw’s admittedly low standards, Al told us about it . From
low rent massage parlors to high end “leisure spas” Screw covered it all.
Book Stores, Peepshows, Live Sex Shoes, Swing Clubs, Movies, Gay Baths,
Tanny Hookers, Screw was the yardstick that we, the smut consumer, used to
find the best and worst that the city had to offer. Al Goldstein to the
bullet for all of us. He was busted numerous times and at one point
trashed Shock Jock, Howard Stern, buy saying if you haven’t been busted
for free speech, you aint shit . Al created Midnight Blue, cable show that
was as over the top as Screw. There were classic moments on this show. I
was hanging out in the Harmony Burlesque on night, when in came Al with
the Midnight Blue camera crew. Most of the”‘popeyes” pulled their hats
over their faces and ran out. Me, I just waved at the camera and enjoyed
the show. Screw folded in 2003. Al was fighting law suit after law suit
and everything went to shit. Al would up homeless and was living in a
shelter. A lot of people didn’t like al for various reasons. Al was always
cool with me and we always had some interesting conversations. When the
Javits Center inadvertently booked a sex show, the mayor was enraged, and
said it would be a sleazy event. I was there, working for NYC Liquidators.
It was a classy event with a lot of cool people. When I brought up the
“sleaze factor” to Al, he said “Fuck Guliani “ this is a class act”. “The
only thing sleazy here is me. And you!!”. Truer words were never spoken.
Blue Under Ground picked up the 3/4 inch master tapes from the Midnight
Blue Show. So far they have put out five volumes. This stuff truly
captures the sexual ambiance of NYC in the 70's. Volume # 1 is about Deep
Throat and has interviews with Gerry Damiano, Harry Reams and Carol
Conners Volume # 2 is Porn Stars of the 70's and features appearances by
Marilyn Chambers, Georgina Spelvin , Annie Sprinkle, Veri Knotty, Seka,
Jennifer Wells, Marc Stevens, Jamie Gillis, and Carter Stevens Volume # 3
is The Celebrities Edition. It has the Rob Lowe sex tape, OJ Simpson at
the 1979 Hookers Ball, R. Crumb , Russ Meyer, Arnold Schwarzenegger, Penn
&Teller , Tiny Tim, Buck Henry , and a lot more. Some of this shit is
hysterical. Volume # 4 is Freaks and Geeks featuring some real twisted
shit like, Mistresses , S&M dungeons, A whore house for dogs, a
world’s record (at the time) 83 man gang bang at Plato’s Retreat, An Annie
Sprinkle performance with a shark in a bath tub and more. Volume # 5 Porn
King is by film maker James Guardino who takes us down the impulsive ,
self destructive downward spiral that was Al Goldstein’s life. It has
segments with Larry Flynt, Ron Jeremy, ans Al Lewis. It also has the last
days of Midnight Blue as an extra. Kudos to Blue Underground for rescuing
these grubby gems before time and the elements rendered them unwatchable.
All of these have the original Midnight Blue ads for the sex trade back
then. If you want to really see first hand what went on and how much
better it was back then , you have to pick these up. On a personal note, I
would like to wish Al Goldstein well. There are so few of us left from
that time period and it’s a shame to see what happened to Al. Love him or
hate him, he spoke his mind and took the busts to prove a point. Thanks to
him and Screw , I was directed to the best and hottest places in the
sexual underground.
The Antichrist
1974 -
Starring
Carla Gravina, Arthur Kennedy, Mel Ferrer, and George Couloris Directed by
Alberto De Martino Released
here on the old Avco Embassy Home Video label as the Tempter. This version
is uncut and restores the goats ass rimming scene, a selling point if
there ever was one. Gravina is placed under hypnosis and becomes a
perverse seductress chosen by Satan to give birth to the Antichrist.
Of all the Exorcist ripoffs, this
film rises to the top or sinks to the bottom , depending on your point of
view. Arthur Kennedy keeps his Euro trash roots alive as he chews the
scenery as a priest who helps perform an exorcism. A must for all Exorcist
ripoff completests.. Joe D’Amato was the director of
photography. The Host
- Starring a
lot of Koreans and a big monster. Released by Bonzi Home
Video. I had seen
ads for this Korean Monster movie and had heard great things about it. I
was shocked to find this for only 9.95 in a local video store. I checked
it out and was surprised at how cool the monster was. It didn’t look like
your cheap out CG monster. The plot concerns a bunch of chemicals dumped
into the It a crazy
film with the monster attacking crowds gathered at the river for some kind
of event. Even if you hate subtitles, give this one a shot, I don’t think
you’ll be disappointed. Hardcore 1979
- Starring
George C Scott, Peter Boyle, and Season Hubley. Directed by Paul Schrader.
A Before 8mm
. We had this rather intense look at the world of porn, snuff films in
particular. George C Scott is a dad trying to find his runaway daughter,
Peter Boyle is the shady PI who he hires, and Season Hubley plays a hooker
who helps him. This was made a few years after snuff films were deemed an
“urban legend”. Legend my ass, unfortunately I saw one in a peepshow at a
place called Crossroad Books on Broadway in the early 70's. If you doubt
their existence, pick up a book called Gods of
Death. Anyway you
get a rather grim trip into what was perceived as the world of porn back
then . Season gives a standout performance in her role as a heart of gold
hooker. Why she never got better roles is a mystery to
me. Frankenstein and the Monster from Hell 1974 -
Starring
Peter Cushing. Shane Briant, and David Prowse. Directed by Terence Fisher
A The last
and the weakest entry in the Hammer Frankenstein series. The good Doctor
has cheated the hangman again and is now operating out of a prison for the
criminally insane. When a disciple is sentenced there for his experiments,
the doctor has an apprentice to help him in his work. The good doctor’s
hands were crippled in a previous film. The monster has the brain of a
killer who uses broken glass as a weapon. Not all that bad, but several
notches below previous entries in this
series. Snake Dancer aka Glenda 1976
- Starring Glenda Kemp, Peter Elliot, and Wilson Dunster.
Directed by Dirk de Villiers a Mondo Macbro
Release. Very obscure film about Glenda Kemp, the notorious Snake
Dancer from South Africa. This is a true story of a woman who defied her
repressive government and fought for the right to dance naked. The film
shows the incredible dance numbers she did and chronicles her fight to
keep doing what she loves. Despite the hokey ending, this is an
interesting film, made even more so when you discover that Glenda was a
very religious woman. Ruby 1977
- Starring
Piper Laurie, Stuart Whitman and Janet Baldwin Directed by Curtis
Harrington DVD by VCI Entertainment Piper was
fresh off her outing as Carrie’s demented mom. Here she plays the widow of
a slain mobster in Florida. She is now running a drive in staffed with the
people who murdered her husband. Her daughter(Baldwin) is a deaf mute and
is possessed by the spirit of her father. There are
some inventive drive in related deaths as the projectionist is hung by a
roll of film. Another guy (Len Lesser) is crammed into a soda machine and
one guy is impaled by a speaker post. Harrington had previously directed
the eerie Night Tide with Dennis Hopper. The Hellbenders 1967
- Starring
Joseph Cotton, Norma Bengell, anf Julian Mateos. Directed by Sergio
Corbucci DVD by Anchor Bay Prior to
the classic Django and The Great Silence, Corbucci directed this post
Civil War western. Cotton stars as the demented head of a family of
Confederate soldiers determined to restart the war. They ambush and
massacre a Union convoy carrying cash and stash it in a coffin.
Using a
woman to pose as the dead wife of one of his sons, Cotton and company
slaughter their way back home. This DVD has a lot more violence than the
old Avco Embassy VHS tape. Aka The Cruel Ones, this has Corbucci’s trade
mark down beat ending. Music by Ennio Morricone and produced by Albert
Band. Cotton returned in Corbucci’s The
Tramplers. Attack Force Z - Starring
John Phillip Law, Mel Gibson, Sam Neil, and John Waters Directed by Tim
Burstall DVD by Image In the
early days of HBO this film ran constantly , then it disappeared. Now
Image has finally put it out. A team of multi national soldiers do some
behind the lines mischief to the Japanese during WWII. Falling star John
Phillip Law is the lead, but is upstaged by up and comers Gibson and Neil.
This is a
good action film loaded with shoot outs and violence. The mission goes
wrong as most of the good guys are wasted in the climatic battle. If you
like war films, check this one out. The Valachi Papers 1972
- Starring
Charles Bronson, Jill Ireland, and Joseph Wiseman Directed by Terrence
Young DVD by Columbia This film
was shot at the height of Bronson’s popularity and isn’t your typical
gangster shoot ‘em up. It’s a pretty close to the facts story of mob
informer Joe Valachi.. This chronicles Valachi’s rise in the mob as a
“button man” to his 15 year sentence in prison. Learning that Vito
Genovese had put a contract on him. Valachi turns informant to keep alive.
Bronson,
who a lot of critics said couldn’t act, turns a stellar performance. Based
on Peter Maas’s book the Valachi Papers, we get an look at the inner
working of the mob back then. This film played both on the grindhouse
circuit and the Drive Ins after its initial
release. Lizard in a Woman’s Skin -
Starring
Florinda Bolkan, Stanley Baker, and Jean Sorel Directed by Lucio Fulci DVD
by Shriek Show Let’s see
the first time this was
released , it was a two disc set because they had to use a PAL
transfer to get the “uncut “ version. Now, after fans pissed their money
away on the first one, the come up with and uncut, widescreen print.
Companies
that do this piss me off and this isn’t the first time Shriek Show has
fucked up. Called “the greatest giallo ever produced” , this version has
the vivisected dog footage that got Fulci a lot of heat. It is a good
film, but I would be hard pressed to say it was the greatest gaillo ever
made. Bolkan is great in the lead and the killing are sufficiently brutal,
ala Fulci. It just sucks that the company had to release an inferior
version of the film first, then come up with a better one
later. Club Satan, The
Witches Sabbath - Starring
Paris Gables and Matt Zane Directed by Shane Bugbee DVD by Extreme
Associates Want a
porn film that really pushes the envelope? Look no further. This is one
sick , deranged fuckin’ movie that harkens back to the hey day of Avon
films in NY. Paris Gables give a one woman self abuse show that will have
your jaw drop. If your even slightly religious, stay far away as this film
just blasphemes any notion of religion. The black mas is supposed to be
real, but since I haven’t been invited to one, I can’t say if it is or
isn’t. We don’t have black masses in my neighborhood, just drive bys and
car jackings. Completely
sadistic and depraved, it is anything but dull. This is one of those films
that will mark you for life. Phil Prince would have loved this. You have
been warned.
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